Both Andy and Palm Reader as a whole – the line-up of which is completed by guitarist Sam Rondeau-Smith, drummer Dan Olds and bass player Josh Redrup – tend to adopt a fairly cerebral approach to the albums they make. So how do they view heavy music as a whole right now?
“It’s an interesting time for heavy music,” says Andy. “Anyone who has a head on their shoulders can see that the early stages of nu-metal were starting to influence a lot of people again up until quite recently. That’s fine because that music was exciting at the time, before it took a rather gross turn.”
“The flipside of those nu-metal sensibilities though are bands like Loathe,” he adds, referencing the fast-rising Liverpool five-piece and recent Kerrang! cover stars. “They started out sounding as if they might go down that nu-metal path, but then they went in completely different direction and came up with that latest monster of a record [I Let It In And Took Everything] which is just unique. Another incredible record from this year is END's latest album [Splinters From An Ever-Changing Face]. It’s just so ferocious, it’s amazing! In more traditional terms, you can see that everyone is veering away from that Sabaton cheese-metal now. Then again, I’ve never been a fan of that. Metalcore’s days are numbered too because that genre has gone as far as it can, so heavy music is becoming much more interesting again. There’s a change coming in heavy music, and you can sense it.”
Pressed on what that change may actually consist of, Andy is more reticent. “Christ! I don’t know!” he laughs, before offering a more considered response.
“I’m pretty sure that one band will come along some time soon and change the entire game again,” he says. “It’s like what happened with Linkin Park or even Limp Bizkit. Before them nu-metal was a lot more goth-orientated and then they released [their first album] Three Dollar Bill, Y’all$, and took things in a completely different direction for the whole scene. There’s no reason why a band won’t appear and change everything in the same way. And that’s good because it means that music is moving forwards. You can sense there’s real momentum in heavy music right now. I’m sure the pandemic will also affect the way people make music and what music gets made too.”