Read this: Every Green Day album ranked from worst to best
"I thought people were probably gonna fucking hate it, you know? But I think the way that it resonated with people, I was able to kind of go, 'Okay, now I've really accomplished something that was a shift.' And, as an artist, I felt more empowered that I could keep doing my thing without having to feel like I had to please everybody."
Indeed, Billie elaborates on the fact that he's never wanted to succumb to musical trends just to try to stay relevant throughout the band's 30-plus-year career.
"It's important to never give people what they want; you give people what they don't know they want," he laughs. "It can definitely turn people off, but, I mean, with me, Mike [Dirnt, bass] and Tré [Cool, drums], it's always just been this collective effort. It's like being a three-headed monster."
In the same interview, the frontman explains how it's sometimes been tricky to mix things up going from each Green Day record; as an artist, you always want to branch out and move forward, but sometimes the listeners simply want more of the same.
"There's the [label] of being in Green Day, and people associate you with everything that you've done in the past," he says. "People have a snapshot of you in their own lives based off of something that you did many years ago, and it's like they're uncomfortable with change. And I'm uncomfortable with change, too, but it's inevitable; you have to do it.
"With Green Day, it gets difficult when people just want you to be the Dookie guy, or the Kerplunk! guy, or the Insomniac guy, or the Nimrod guy. Life just changes, and you have to be able to roll with it, and have new dreams and fantasies about the kind of changes that mean something to you."