The big man himself had already spoken about making the follow up to this year’s Ordinary Man, written and recorded with Post Malone producer Andrew Watt, Guns N’ Roses’ Duff McKagan, Red Hot Chili Peppers drummer Chad Smith, and guests like Slash, Tom Morello and Elton John, while he was recuperating from a neck injury and pneumonia.
“I’m doing another record right now. I just started to work with Andrew again,” he told Radio.com. “It’s what gets me up in the morning, and it’s what I’m here to do. It saved my life, doing that last album. [It’s better than] sitting on my ass all day waiting for the fucking pandemic to be over. And then you go, ‘Oh, yeah, I am a rock and roller. I’d better do an album.’ You’ve got all the fucking time in the world to make the best album possible.”
Speaking to Kerrang! when we visited him at his LA home at the start of the year, Ozzy told us how making Ordinary Man lifted him out of the bleakness of sitting at home doing nothing while he recovered.
“There’s so much joy in it – it picked me up out of my blues, definitely,” he said. “We’ve captured the essence of fun. And it felt good to achieve something. It’s like swimming from one side of the world to the other and you go: ‘There’s land!’ It made me think, ‘I’m not fucking done yet!’
“We’d bounce the fucking melodies around until something came up, and we’d just go with it,” he enthused. “It was fun. And it was so fucking good to be doing something. Because I’d be lying in bed going, ‘That’s it, I’m never gonna walk again,’ and this got me doing something and feeling good. And it was simple, it felt more like recording a fucking jam session. It’s not like a Pink Floyd thing where you’ve got to take a tab of acid to enjoy it – just crank the fucking thing. Go for it!”
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