For MOAMETAL, large though the mountain to climb may have been, “The feeling of having fun was more outweighed than how hard it was. Because the songs weren’t just ours, it took more time than usual to complete them. We valued the time spent in discussion [with other artists] and carefully worked on the songs until we both felt they were right. That’s why this album became very special.”
One song they highlight as an example of how working so closely with other artists took them to places even the Fox God wasn’t pointing them to is Sunset Kiss. With its stuttering pop beat, there’s an element of their old mate Lady Gaga to it. SU-METAL says that it wasn’t until Polyphia’s Tim Henson and Scott LePage sent back their ideas that the whole thing clicked into place.
“We exchanged the demo many times throughout the process,” she reveals. “There was a song that evoked and changed feelings as we kept exchanging demos. When we first worked on Sunset Kiss, I couldn’t quite grasp the song. But after adding Polyphia’s guitar riff, I could catch the rhythm and we ended up changing a major part of the melody line. Their guitar riffs led us to complete the song. The singing part was a new challenge for me but thanks to them it went very smoothly.”
This didn’t just help shake up their own creative juices. It also offered BABYMETAL a unique opportunity to better understand how other people view them and what they do. Each collaboration turned into a window, seeing themselves from another’s perspective through the music they were being offered by others, seeing what their collaborators came up with as the missing piece of what they were making.
“By creating songs with various artists, we learned how they viewed and interpreted BABYMETAL,” shares MOAMETAL. “It became a great opportunity to learn how they perceive us. And the collaborations with all the musicians who lead the metal scene was thrilling.”
There’s a lot of them, and some of the connections run deep. Of the team-up with Poppy and Jordan Fish on from me to u, MOAMETAL calls her collaborators “the people who truly understand who we are.
“Because of their deep understanding, we could make the updated kawaii metal song. I love the track so much! We toured Europe with Poppy. I still cannot believe the intense death-voice coming from someone that cute!”
Elsewhere, Courtney LaPlante and Spiritbox turn My Queen from a chuggy, industrial stomper (with a massive chorus) into something more visceral when she tears through its breakdown. On the rhythmic danceable METALI!!, meanwhile, Rage Against The Machine guitar legend Tom Morello adds his usual flair and weird soloing to make something completely unlike what you’ve heard from BABYMETAL before, while still being firmly them.
It’s a similar story for Kon! Kon!, the song done with current tourmates Bloodywood. Both bands see the hook-up as a way to cross over into one another’s audience.
“We’re currently touring with them in the U.S, and they amaze me every day with their sincerity,” says MOAMETAL. “They’re full of curiosity, incredibly sincere, and on top of that, they’re truly hardworking. I’m grateful that, thanks to Bloodywood, BABYMETAL is being introduced to so many new people.”
By this time, MOAMETAL’s on a roll, enthusing about it all.
“The album is filled with various collaborations, so one more song,” she insists. “Lastly, I would like to talk about Song 3, which we made with Slaughter To Prevail. I love their sense of humour, and they are thoughtful and kind. Alex [Terrible], the vocalist, might seem intimidating with his wild death growls and even hanging out with bears, but he’s actually very kind and always takes time to listen to the three of us. All the members truly care for one another, and I think that’s really cool. They stopped by our U.S. show and performed that night. I miss them already!”