While the flailing guitar solos and punishing percussion bore holes in our skulls, Will’s vocals take centre stage throughout. We’ve all seen the video of the camera down his throat, contorting his vocal cords to make such demanding guttural grunts and piercing shrieks, and on Pain Remains his larynx is working overtime to the point that it even makes your throat hurt.
But it’s not a downtrodden, sullen affair, with choral motifs and warming string sections throughout, there’s an overwhelming sense of cathartic euphoria. Sure, the grimace-inducing sub-drops of SunEater and Tasmanian Devil vocals at the back-end of Into The Earth are powered by pure venom, but they’re surrounded by elated explosions of triumph. The surge of adrenaline coursing through the veins of Apotheosis and the wild, arms-wide-open abandon of Pain Remains I: Dancing Like Flames signify an ability to not only harness the power of extreme music for positive means, but perhaps a desire to evolve from their deathcore roots into something bigger.
Three years ago, Lorna Shore didn’t even know if they had a future, but with Pain Remains they have sealed their fate as one of the bands to take actual heavy music forward. Hear them roar.
Verdict: 4/5
For fans of: Thy Art Is Murder, Fit For An Autopsy, Whitechapel
Pain Remains is released on October 14 via Century Media