Other choice picks include opener House Of Doom, which is, perhaps surprisingly, one of the record’s less doomy offerings, but a moody slow-burner nevertheless. Meanwhile, T-Rex Masseuse is as weird as its title suggests, stomping all over your back with a flurry of buzzing riffs.
While most of these tracks pack the requisite punch, it’s the instrumentals doing the heavy lifting. In places, notably Show Me Your Teeth, the harmonies from Massiel Pinzón and Juan Carlos García de Paredes have considerably less clout – the melodies are tight and affecting, no doubt, but they’re occasionally a thin embellishment on top of such a bruising bedrock.
It’s a relatively minor quibble, though, because it’s a flaw that only occasionally undermines proceedings. It does, however, hold You Can Come Out Now back from being great. As it is, we’ll have to settle for it being very, very good indeed. On this evidence, big things beckon.
Verdict: 4/5
For fans of: Kylesa, Royal Blood, Orange Goblin
You Can Come Out Now is released on June 13 via Editoris