While the album thrives in its pacing, the catchiness does feel forced in some of its riffs – even if they’ll be certified headbangers in the live room. Blossom flirts too closely with Paramore’s You First, and Fire’s hyper-positivity lacks some of the duality that gives the band their multi-faceted edge. Take the catharsis of Sinking, for example, which tiptoes around the pit of doom before diving in head-first at the appropriate moment.
This particular sound runs its course by the end of Horrors, perhaps suggesting that fine-tuning a select few world-beating choruses would help All Ears Avow stand out from the crowd. But if the goal is to inject some feel-good factor into rock music, while externalising the horror show of being alive in 2025, then Horrors can only be considered as a success.
Verdict: 3/5
For fans of: Deaf Havana, Paramore, The Hunna
Horrors is released on October 10 via Western Audio