“It was our biggest headline show we’d done in Australia, but the people that booked it were not so sure that we were going to be worth it. They booked it in a way that was very, very strenuous on us. We didn’t really have any crew, and we had four shows in a row with no days off. In Australia, you have to fly between every show, and Sydney was the third one of the four. Flying, by nature, is really hard on your voice because you’re in this pressure-controlled thing with dirty, dry air circulating. We woke up super-early and our flight was delayed. I was stressing out, going, ‘Something just feels weird.’ We soundchecked and I had nothing going on aside from being able to talk very quietly. In the green room, I was crying and having a complete meltdown. But we don’t cancel shows lightly – we’re very much, ‘The show must go on.’ I remember walking on that stage with nothing and saying, ‘I can barely speak, help me out if you can.’ The crowd helped me through it, and then three, four songs in my voice started to come back and I was able to get through the show. It changed everything about the mentality of how I approach shows.”