Deploying one of the most outrageous innuendos in hard rock history, this sample-heavy cut from the soundtrack to Rob’s feature film debut House Of 1000 Corpses comes on with impeccable, effortless cool. Dripping with sex and the sense of its own outrageousness, the marriage of that swaggering main riff and fist-pumping chorus feels like a dark, alternate universe version of the sort-of populist rock with which Muse would springboard into stadia over the decade that followed. As Rob cranks the sleaze, however, and asks, ‘One, two, three, who should I kill?’, it’s clear he’s happier when inhabiting far murkier spaces.