“I don’t know why I was led to the rock world, but I’ve always loved it,” he muses, wearing a signature multi-coloured shirt just weeks after returning from his North American tour leg. The record’s fourth track WELLLL is a pumped-up jamfest full of screeching guitar riffs as Jacob makes his own flavour of rock’n’roll. “When I grew up, Queen was one of my favourite bands, and I think the intensity of their sound really hit me hard at that age.” WELLLL was one of the first singles released from the album and co-written by U.S. singer-songwriter Remi Wolf. Heavy genres like metal and hard rock had been largely untouched by the musician before then, so its anthemic sound was cathartic. Stentorian and poised, it’s Jacob Collier at his wildest.
“It’s a funny thing where these albums were in a sense ordained from the start, but they were also very much discovered as I was going,” he explains. “The fun thing about being an artist is you can never really plan what’s going to excite you or move you the most at one particular time. You just have to show up and be available for those things to take hold of you. And so I did. And I realised, ‘Oh gosh, this has got to be like this. This has to include some of those guttural rock or guitar-led elements because they feel right for now.’”
WELLLL was produced using Jacob’s signature Strandberg five-string guitar. It might be shocking to hear given how exceptional he is on every instrument, but he claims to be a beginner. It’s seasoned players (and close friends) like John Mayer and Steve Vai, he says, who’ve shown him the ropes, both of whom feature on Djesse Vol. 4. “I think about it first as listening to them, mostly as a fan,” he says. “Say Steve Vai for example – I listen and I think, ‘How does he do that? That’s crazy!’ And Steve is one of my dearest friends. He’s an amazing guy. He’s taught me a lot about the guitar, but not so much from showing me stuff on the neck or talking about picking or something like that. It's more about his approach to life that is quite resplendent and his philosophy for radically accepting a process and trusting the universe, which feels very big and glorious. But I think that any aspect of music is kind of an extension of life. And a lot of the same forces that make music work are the same forces that make life work.”