In the absence of both God and gigs, the livestream is an idea fast becoming not just an attractive way for bands to actually perform for their fans (albeit from the other side of a screen), but also to get creative with presentation. Thus, In Absentia Dei is a production of two parts – festival headlining slot, and film production, with a focus on more, more, more. The live footage from inside the church is incredible, interspersed with dramatic, arty scenes from outside and around – flaming arrows, hooded band arriving on horseback, a ceremonial censer spraying sparks as it’s smashed against the floor – giving things the vibe of an old ’70s occult exploitation movie, with much, much higher and more thrilling production values.
“Despite the challenges we face and the plagues we endure, we are gathered here tonight, in this unholy church, in celebration of black metal magic,” declares Nergal halfway through. “We are together, and together we shall conquer all.” Even watching on a screen, even feeling the despondency of a music-free summer, hearing the man talk in such terms manages to raise those same feelings in your spirit as you would have got watching them headline Bloodstock. For livestreams to work, to be of value, to be an experience, to be something that breaks the monotony of a normal week, never mind the weird, tense, uncertain flurry of days in which we seem to exist currently, they must translate an energy that goes beyond volume.