Not that they’ve turned into GWAR, of course. The spine of Within Temptation – those huge, dramatic walls of dark, glacial, classy neoclassical pomp, Sharon Den Adel’s incredible voice, a big dose of theatricality – are all present and correct, but there’s more going on as well. Opener We Go To War is all staccato guitar and double-bass drumming around its typically huge chorus, Worth Dying For rides in on a peculiar, skipping rhythm that recalls Meshuggah (with nicer singing), and Cyanide Love’s chunky riff is allowed to hang doomily in the air, creating a powerful sense of dread. On Wireless and, in particular, the title-trqck, there are electronic moments among the big, fat guitars that wouldn’t shame Bring Me The Horizon or Architects. That they can do all this while still sounding unmistakably Within Temptation is testament to perfectly they've carried it all off.
As Sharon told Kerrang! recently, the messaging is important, and deep. And in times of strife, a music that calls for unity is a welcome and comforting thing. But even were you not to know what these songs were about, as a Within Temptation fan, you should feel rewarded not just that they’ve made possibly their best record since 2007’s The Heart Of Everything, but that after so long they still have something new to say, both musically and otherwise.
Verdict: 4/5
For fans of: Evanescence, Nightwish, Bring Me The Horizon
Bleed Out is released on October 20 via Force Music