ArcTanGent festival organiser James Scarlett was asked during a live Q&A at last summer’s edition what the chances were of getting a 2024 performance from the legendary earthtone9, after whose seminal 2000 LP arc'tan'gent his event is named.
“To the best of my knowledge,” he shrugged to a disappointed audience, “those guys aren’t ‘a band’ right now.” What an excellent surprise, then, to find out months later that they aren’t just up and running for more festival shows, but they’re also adding a fantastic fifth album to their revered discography, In Resonance Nexus.
“For me, this, this album is about persistence in heart and knowing that you can pursue stuff and do it to a high standard at any point in time,” explains frontman Karl Middleton. “It’s more vital and urgent – like the absolute distillation of what we do. This feels like a definitive statement.”
Indeed, even 11 years down the line from 2013’s ‘IV’ – 22 from the band’s original dissolution – its 10 tracks continue and build upon the urgency and defiance that made et9 such a definitive outfit a quarter-century ago.
Raging opener The Polyphony Of Animal harks back to their original restlessness while packing a modernity that could easily mix it with Bury Tomorrow or While She Sleeps. Navison Record wraps moments of mind-mangling mathcore round its enormously hooky riffs, while Under The Snake toys with Eastern-sounding acoustic strings before hitting full-throttle, and massive lead-single Oceanic Drift hits with a wave of elemental fury.