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As It Is announce A Decade Uneventful compilation album
After reuniting earlier this month, As It Is have announced details of their “dream rarities project”, featuring a whole lot of lesser-known material between 2012 and 2022…
Transatlantic pop-punkers As It Is hit a career-high on fourth album, I WENT TO HELL AND BACK.
The transformation As It Is underwent when creating 2018’s third LP The Great Depression was stark. Trading in a clean-cut, peppy pop-punk sound and image in favour of something darker, heavier and more steeped in theatrics, it was a bold move, but one that largely paid off for the trio. Not content to replicate that formula for their new album, I WENT TO HELL AND BACK sees Patty Walters and co. settle on a sound somewhere in between the darkness of their last record and the more upbeat stylings of their early material.
It’s a decision that pays dividends throughout. The dark, spiky pop-rock of IDGAF and I LIE TO ME are representative of the more measured approach As It Is take throughout I WENT TO HELL AND BACK, while the sprightly guitar melodies of I CAN’T TAKE IT allow the talents of guitarist Ronnie Ish – who’s stepped up to the fore creatively in the absence of the departed Ben Langford-Biss – to shine.
Elsewhere, I MISS 2003 is Patty’s love letter to the Warped Tour scene, with lyrics referencing New Found Glory, The All-American Rejects, Mayday Parade and Good Charlotte, but it’s an anthem in its own right, and a song that does far more than just play on nostalgia for the sake of it. Then there’s I CAN’T FEEL A THING, which showcases As It Is’ songwriting dexterity as the band lean heavily on modern metalcore.
Slick, coherent and the most fully-rounded incarnation of As It Is to date, I WENT TO TELL AND BACK is a fine record, and comfortably the best its creators have ever sounded.
Verdict: 4/5
For fans of: Trash Boat, Boston Manor, Neck Deep
I WENT TO HELL AND BACK is out February 4 via Fearless.