Extreme music falls into one of two categories. Either it is in itself an exercise in extremity, pushing to be faster, heavier and more fantastically unlistenable for the very sake of it, or it is a project of severe expressionism, luxuriating defiantly in dissonance and abrasion. Agriculture fall magnificently into the latter, capturing the intensity of everyday human existence via soul-rattling experimentality. Otherworldly in its ability to intrigue, excite and invigorate, the Californians’ second album is a masterpiece.
Oceans of influence swirl within. Unpacking and examining these 10 tracks is an integral part of the appeal, but it is possible to explain the record simply as an album of binaries. Within compositions such as colossal opener My Garden and the frantic Micah (5. 15am), the contrast between loud and quiet, fast and slow creates absorbing dynamic contrast.
The tracklist can be split into an explosive Side A and a slower-burning Side B, too. Even the lyrical offerings from guitarist/vocalist Dan Meyer and bassist/vocalist Leah Levinson feel compellingly distinct, the former fascinated by the timeless and intangible while the latter grapples with the contemporary challenges, from queer identity to sociopolitical collapse.