How did Big Ole Album Vol. 1 come together, then?
“We chose to block out chunks of a couple of weeks at the time where we could just be together and feel inspired in the moment, rather than taking a quarter of a year to push through until we had something. It meant that the energy and the vibe of our work was so good, and those gaps between working left you feeling like, ‘I can’t wait to get back in there.’ We’ve written in all sorts of different ways in the past: in the back of a tour bus with New Found Glory, which became Homesick; we’ve disappeared into a cabin as a full band to make Bad Vibrations. What felt new and exciting was working in a way that made it feel like we didn’t have to get something done. When you have to produce something, you have to keep going and keep moving, whether you’re completely happy or not, because you have a deadline. With this album, all we had to worry about was focusing on what felt exciting in that exact moment, and I think that comes across on the record.”
You worked with Zakk Cervini and Drew Fulk. What did they bring to the table – and why, as an experienced producer yourself, do you look to outside collaborators still?
“First off, I’m an ideas guy – I’m not the guy who can get behind a computer an engineer a record. Zack’s incredible in that sense – probably the best I’ve ever worked with at that – but what I’m always looking for, and which we found in both of the guys, are people who can nerd out with us on a creative level. I think they both really helped bring certain things out of us as a band, and pushed us really hard. I always have an idea loosely mapped out in my head, I’ll know what I want a song to be or what I want to say, but they really helped bring that to life. Flowers is a great example of that.”
Oli Sykes also gets a credit for the song Die For Me – what’s the story there?
“We show up to the studio one day with coffee, and Zakk says, ‘Hey, we’ve got this little idea that we’ve been messing around with.’ He’s obviously worked with Bring Me a lot in recent years, and he’d told Oli that he was working with us. Oli had sent Zakk a voice memo of this melody with some lyrics, a few of them mumbled here and there, and Zakk put some music to it. We hear this idea and were immediately like, ‘Well, it’s obvious what we’re working on today – this is badass!’ We worked up the story to speak to what was going on in our life, and that became Die For Me.”